Peter, who trained at Manchester College of Art and Technology, works predominantly in wood, aiming to exploit the characteristics of the material in surprising and innovative ways. Other materials, including glass metal and plastic, are used only when they enhance timber components. 

Other than producing objects that perform their function well and are a pleasure to use, his main aim is to create an intimate connection between the finished object and the tree that provided the wood.  This ambition is based on aesthetic and environmental considerations. 

He also feels that people should appreciate where the materials they buy have come from and should be aware of the impact of their purchases on the environment. 

Mathematics is a constant source of inspiration.  The geometric structure of wood, and of trees, allows him to explore interesting symmetries and patterns in his work.  Other inspirations include sand dunes and growth rings.

He originated the onetree concept, which aimed to show how much can be created from one tree.  A major project it resulted in a touring exhibition and book with 75 makers given materials and asked to produce work inspired by the concept, the material or the tree.  Work ranged from structural joinery to poetry, including leather tanning, ceramics, basketmaking and papermaking.

As a result he has been asked to speak at a number of seminars and conferences and is currently acting as consultant to Un Arbol Bolivia, a project inspired by onetree, and is curator of The Wych Elm Project at the Royal Botanic Garden Edinburgh.

He produces his own range of contemporary furniture which is sold in galleries across the UK and works to commission.

He is a member of the Scottish Furniture Makers Association who organise exhibitions across Scotland, most recently at the Edinburgh Festival. 

Contact Peter