This event, the second of two, heralds the Shipley Art Gallery's acquisition of the John Christian studio ceramics collection in 2020.
Closing date: 2 Feb 2021
In 2020 the Shipley Art Gallery acquired the John Christian studio ceramics collection. Originally due to open as a new permanent collection this year, these plans have been put on hold due to COVID-19. However, to celebrate this exciting collection at one of the UK’s leading arts and crafts museums, you are invited to this online event, the second in a two-part series starting on the 26th January 2021, exploring ceramic collections and community, with leading international artists and curators.
This event is a partnership between Newcastle University, the Shipley Art Gallery and the Centre of Ceramic Art (CoCA) Subject Specialist Network at York Art Gallery, and supported by Arts Council England.
2 February 2021 - 17:00-18:30
Discussion - Online Communities with Ayumi Horie and Guest
Artist Ayumi Horie will discuss the projects, Pots in Action and The Democratic Cup as examples of online collections, community building and activism. She will consider ways in which ceramic collections can be reframed to draw out underrepresented histories and give agency to local communities, based on her belief in the ability of ceramics and art as a catalyst for connection, transformation and social change.
Horie’s project, Pots in Action was a thematic Instagram feed, documenting topics within ceramics and were guest-hosted by artists and curators all over the world. Retired in 2019 and now being translated into an open-source website, the project shared global knowledge, histories and cultures with 120,000 following. The Democratic Cup was conceived of as a slow activism project that used handmade cups to encourage people to become active and engaged citizens in democracy. The intent was to foster person-to-person civil conversations about social and political issues, creating cups to act as agents of social change by generating positive political discourse.
Tickets for the symposia are free. In respect of the time, effort and public funding that have gone in to developing the programme, you are expected to attend if you book a ticket. If for any reason you are unable to attend, the Centre for Ceramic Art asks that you cancel your ticket, so you place can be taken up by someone else. Thank you
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