Honor Dodd design

EMBRASURE 1

Sterling silver ring, oxidised. A statement ring, derived from a reflected and distorted drawing of a Gothic curch window, extruded into a 3d plane, the first iteration of this reflection

EMBRASURE 2

A 2-finger sterling silver ring. The second iteration of this drawing, this piece was derived from reflecting the original image twice, creating twice the number of faces and distortions as the first, building upon the first ring

EMBRASURE 3

A 2-finger Sterling Silver ring. The third and final iteration of this drawing, made by reflecting the original drawing a third time, extruding the faces even further until the design spills across the whole hand, and jarringly bursts into the the 3rd dimension, casting dramatic shaodws across the wearer

GRISAILLE 1+2

Grisaille brooches 1+2, sterling silver and stainless steel pins. 1 began as the first drawing of a church window (Church of the Annunciation, Hove), while 2 explores that shape, but ever so slightly warped, taken from the distorted reflection from a flexible mirror. 1 sits about a centimeter away from the body, while 2 sits bfurther out, allowing light to creep in behind the brooch

GRISAILLE 3+4

Grisaille brooches 3+4, sterling silver with stainless steel pins. Continuing on from brooches 1+2, brooch 3 is a warped reflection of brooch 2, and sits even further yet from the body. Brooch 4 completes this set, as the final and most outrageous reflection of 3, sitting nearly 5cm away from the body, allowing dramatic shadows to be cast across the wearer

Tracery assembled brooches and earrings

Sterling silver brooches and earrings, with glass inset. Designed to look like the scattering of coloured light cast by a stained glass window, the Tracery assembly is gently warped, capturing the delicate nature of a shadow, combined with the hard-hitting and clean lines of stained glass windows. The cutouts and glass echo the fracturing of light. Each piece can be worn separately

Castle ring 1

In the spirit of being minimally wasteful, this ring repurposes and rehomes a scrap piece of silver, this one coming from Embrasure 3. Using no solder at all, this ring explores the texture created through fusing and reticulation, marking a break from the clean lines seen previously, and echoes the texture of the stonework, not just the form

Scrap errings 1-3

a series of 3 earrings exploring texture, fusing, and reduction in silver. These earrings were composed on the bench, derived from the desire to capture the fragmented, textural form of weathered stone and irregularity in each hand-carved piece of stone