Craft Scotland has a committed and passionate Board that works diligently for the success of the organisation. Responsible for strategic review and ensuring effective management of the organisation, the Board meets a minimum of five times a year. The Board includes individuals with financial, education and management experience as well as professionals from the craft sector.
Sandra Gunn is a fine artist and designer. Formerly Dean of the Faculty Creative Industries at City of Glasgow College. She has extensive experience in tertiary education and is Associate Assessor for Education Scotland. Photography: Angela Graham.
Brian is CEO at The Data Lab, Scotland's national innovation centre for data and artificial intelligence where he has led programmes to develop the organisation's culture & values, service offering and scale impact.
Caroline Reid is Director of Commercial Enterprises at the National Trust for Scotland, setting the strategic direction for all commercial income streams across the Trust. Previously, Caroline worked in the high street retail sector.
Ebba Goring is Director of the Incorporation of Goldsmiths, who provide opportunities for jewellers and silversmiths in Scotland. Previously she was an independent fine jeweller and trained at Duncan of Jordanstone College of Art and Design. Photography: Photos by Zoe.
Dr Elizabeth Goring is an independent curator, writer and consultant with specialist expertise in jewellery and metalwork. She was formerly a Principal Curator at National Museums Scotland.
Kirsty Sumerling is Director at The Scottish Gallery and previously worked at Dovecot Studios. She initially studied Jewellery & Silversmithing at Edinburgh College of Art. Photography: Stephen Dunn.
Natalia Lewandowska works as Grants Advisor at Corra Foundation. She also has experience in fundraising within the arts, community and third sector. Prior to that, she has studied law. Natalia is interested in sustainability and widening access to the creative industries.
Paul Fitzpatrick is the Director of Creative Engagement at the National Theatre of Scotland, and he develops projects and productions that are made with and for communities and in educational settings.
Rebecca Peppiette is a Scottish Government civil servant currently working with Environmental Standards Scotland, following a range of roles in the Culture and Learning Divisions. Previously she worked in the City of Edinburgh Council as Arts Strategy and Funding Manager, alongside other roles at the Edinburgh Festival Fringe and the BBC.
Sarah Rothwell, Senior Curator of Modern & Contemporary Design, holds responsibility for the collections of British, European and other 'Western' glass, ceramics, metalwork, jewellery and industrial design circa 1945-present at National Museums Scotland.
To ensure makers inform our work and thinking, our Director and a Board representative meets twice yearly with an independent advisory group of practicing makers to review our programme and plans. The group is separate from the Board and members participate on a voluntary basis for a two year term.
Amanda Simmons has worked with glass for the past 16 years, graduating from Central St Martin’s School of Art & Design studying Postgraduate Certificate in Glass & Architecture, before relocating to Dumfries & Galloway in 2005.
Angus Ross is Creative Director of a studio-workshop specialising in steam bending oak sourced from a local woodland he manages for sustainability and biodiversity. Based in Perth and Kinross.
Clare Waddle is one part of lighting & product design duo Yellow Broom and a sculpture graduate of Edinburgh College of Art. Valuing simplicity YB create sustainable handcrafted utilitarian products. Based within Cairngorms National Park.
With specialisms in stained glass ceramics, sculpture and printmaking Garvin Sealy's work is held in collections in North America, Europe and Asia. With a passion for teaching heritage crafts, he is currently a Co-Director of EqualiTree.
Heather Shields is a textile designer and weaver based in Gourock on the west coast of Scotland, specialising in vibrant, contemporary fabrics, homeware and accessories.
Jodie Barnacle-Best is an award-winning first class (with honours) textile design graduate specialising in knitwear. Jodie is currently completing her Masters in Fashion and Textiles at the Glasgow School of Art.
Employing a considered selection of techniques, Karen Westland creates refined silverware and jewellery using 100% recycled precious metals and other responsibly sourced materials. Based in Glasgow.
Karen-Ann Dicken is a jewellery designer and maker based in Arbroath Scotland. Karen is a Lecturer in jewellery at Gray’s School of Art, Aberdeen and her specialist area is the integration of modern technologies with handcraft.
Katia Stewart is Project Manager with Raskl. Previously she was a Global Programme Manager for Crafting Futures, at the British Council.
Lisa McGovern is Curriculum Head for Craft & Design at City of Glasgow College, embedding ethics and sustainability into the Curriculum. With a degree in Jewellery and Silversmithing, Lisa specialises in experimentation with material and processes.
Morag Macpherson works from her Kirkcudbright Studio creating patterns and patchwork, influenced by art history and different cultures, for her limited-edition textile accessories and artwear.
Exhibition Co-ordinator for Garvald Edinburgh. Morven Macrae is committed to promoting and raising the profile of makers with a learning disability and/or autism whilst creating accessible opportunities and networks.